posted on 2025-05-11, 21:09authored byJustine Ackroyd
Research to date maintains that NSW state and local government planning processes lead to regular instances of authorised harm to Aboriginal cultural heritage. This thesis examines how the NSW Aboriginal cultural heritage management (ACHM) industry is constituted by experts in the industry, including archaeologists, planning professionals, and First Peoples. Further, it examines the discourses through which participants, at various levels of decision-making, construct and experience their own roles in ACHM. Qualitative data has been gathered from 21 semi-structured interviews, yielding rich accounts of the complexity involved in ACHM decisions. The interview data is thematically analysed using Foucault's concepts of power-knowledge and subjectivity. Notably, the NSW government's 2010 statutory requirement for consultation with First Peoples has not ameliorated the dominance of archaeological practice. Nor has it improved the protection of cultural heritage deemed significant by First Nation participants. Analysis also reveals that participants primarily construct themselves through a subjectivity of caring for, and fighting for, cultural heritage. This study brings to the fore how First Peoples working in the industry experience the continual loss of their cultural heritage, the effects of the often merely performative nature of consultation, and the racialising and colonising discourses that privilege non-Aboriginal values. Nevertheless, First Peoples have established local networks with sympathetic experts to achieve better outcomes in the cultural heritage assessment and management process.
History
Year awarded
2024.0
Thesis category
Doctoral Degree
Degree
Doctor of Philosophy (PhD)
Supervisors
Heil, Daniela (University of Newcastle); Nilan, Pamela (University of Newcastle); Leahy, Terry (University of Newcastle); Kelly, Raymond (University of Newcastle)
Language
en, English
College/Research Centre
College of Human and Social Futures
School
School of Humanities, Creative Industries and Social Sciences