posted on 2025-05-09, 01:04authored byFiona Mary Pfennigwerth
How may ancient Hebrew texts be presented to a contemporary audience,
remaining faithful to the original and at the same time relevant yet timeless?
I am painting four series of watercolours, each focussing on a particular
Australian habitat. These artworks form decorative borders to the four biblical
texts of Lamentations, Ruth, Ecclesiastes and Esther, four of the Jewish Scrolls, and
act as visual metaphors of underlying themes and indicators of structure and
literary devices.
My research is into the texts themselves, reading and responding to them; into
natural subjects that express my response; and into the art-making process from
which the final artworks are created.
The end product of my research is an exhibition of these watercolour works and
an A4-sized book combining the complete printed text of the Scrolls in the
English Standard Version (ESV) as I have formatted it, with my illustrations as
border designs. My aim is that through the manuscripts’ overall design, I honour
the authors’ literary artistry, including symmetry, acrostic and reversal. Through
my choice of subjects for each illustration, I aim to suggest themes in the
adjoining text.
History
Year awarded
2008
Thesis category
Doctoral Degree
Degree
Doctor of Philosophy (PhD)
Supervisors
Goswell, Gregory (Presbyterian Theological College, Melbourne); Llewellyn, Anne (University of Newcastle)
Language
en, English
College/Research Centre
Faculty of Science and Information Technology
School
School of Design, Communication and Information Technology