posted on 2025-05-09, 12:28authored byLynne McCormack, Evelyn Henry
Background: Playback Theatre is applied theatre that draws on real-life stories from its audience to reflect the psychosocial needs of individuals and communities. Contemporarily it is being used to support those exposed to war/disaster; however, the impact of such work on its practitioners, is under researched. Methods: Using interpretative phenomenological analysis positive and negative subjective interpretations were sought from five Western Playback Theatre practitioners who taught in post-civil war Sri Lanka. Results: One superordinate theme, Naivety, Humility and Hope amongst the Rubble, encompassed five subordinate themes. These reveal an integral struggle experienced by Western practitioners unprepared for a culturally different lens. Conclusion: Teaching Playback Theatre in post-war Sri Lanka for these practitioners exposed the gap between the desire to help cross-culturally and their experienced reality. Over time, the collision of Western naivety with good intent facilitated an integral and humble search to be wiser humanitarians cross-culturally in these participants.
History
Journal title
Arts & Health: An International Journal for Research, Policy and Practice
Volume
9
Issue
3
Pagination
224-237
Publisher
Routledge
Language
en, English
College/Research Centre
Faculty of Science and Information Technology
School
School of Psychology
Rights statement
This is an Accepted Manuscript of an article published by Taylor & Francis in Arts & Health: An International Journal for Research, Policy and Practice on 22/12/2016, available online: http://www.tandfonline.com/10.1080/17533015.2016.1262879