posted on 2025-05-09, 12:29authored bySusan Kerrigan, Leo Berkeley, Sean Maher, Michael Sergi, Alison Wotherspoon
Within Australian universities, doctoral research in screen production is growing significantly. Two recent studies have documented both the scale of this research and inconsistencies in the requirements of the degree. These institutional variations, combined with a lack of clarity around appropriate methodologies for academic research through film and television practice, create challenges for students, supervisors, examiners and the overall development of the discipline. This paper will examine five recent doctorates in screen production practice at five different Australian universities. It will look at the nature of the films made, the research questions the candidates were investigating, the new knowledge claims that were produced and the subsequent impact of the research. The various methodologies used will be given particular attention because they help define the nature of the research where film production is a primary research method.
History
Journal title
Studies in Australasian Cinema
Volume
9
Issue
2
Pagination
93-109
Publisher
Taylor & Francis
Language
en, English
College/Research Centre
Faculty of Science
School
School of Design, Communication and Information Technology
Rights statement
This is an Accepted Manuscript of an article published by Taylor & Francis in Studies in Australasian Cinema on 11/08/15, available online: http://www.tandfonline.com/10.1080/17503175.2015.1059990.